Architecture MPC

THE MATERIALITY OF THE SPACE

2008-12-10T02:21:00.022+01:00

THESIS PROJECT

Architectural Components (from Phaenotype to Genotype)

The idea was to continue working with parametric software in order to design a space with the capacity of combining a self structured parametric skin with elements capable to control the radiosity and sound effects. The cell has a size capable to fit at least 10 people at one time, but the main issue is that it has the possibility to modify its overall shape or components by changing the parameters which are taken from the surrounding environment; some of which are the amount of light, terrain inclinations, inner space needed, etc. In order to explore its materiality and to allow a natural growth based on the main configuration of the geometry and the material itself, each individual component creates a grid capable to stretch and generate new variations.

The honeycombs are capable of tiling a plane with minimal surface area, even though its main strength is based on the superposition of elements. Considering this characteristic and avoiding to have only an ornamental lattice; a relation of geometric constraints integrate a self structured cell in which every element is independent in terms of depth and size but at the same time works as a group collection when it comes to integrate a closed shape. In order to develop a parametric model, an associative protocol had to be followed to integrate every single element into the final cell.

Here you can see a video showing how the model works when the set of parameters and geometric relations are being modified to create new versions of the same prototype.

The structural system has the possibility to support itself, nevertheless I developed a secondary system in which a set of triangles create a double layer contact surface that increase the rigidity of the skin.

The aim of the project was to reach the fabrication stage in which the whole system could be proved. One of the variations of the base model was constructed in a model. Here you can see a video of the whole process.

IAAC 2007-2008 Theme 3: Architectural Components (from phaenotype to genotype)
Supervisors: Martin Sobota
Author: Mariana Paz Castellanos

THE GREEN FACADE

2008-12-09T00:56:00.015+01:00

The system works with a single flow of water, just fill the tubing from the top and the water will start running throughout the whole facade. (Both sides have different pressures, by adjusting the top valves you can regulate the amount of water depending on the time of the year and the plants).

Once you have decide in which cell you want to have plants, just need to feel the cells with the seeds and the nutritive layer wihich will depend on the kind of plants. The plants will start growing and you can water them as often as needed, having the option also to empty the whole system by opening the bottom exit.

Here you can see a slideshow of the process:

IaaC 2007-2008 Smaq Workshop
Tutors: SMAQ Sabine Müller - Andreas Quednau
Authors: Rodrigo Langarica , Mariana Paz Castellanos, Monika Szawiola, Erik Thorson

THE DOME

2008-12-08T20:43:00.011+01:00

Continuing in the frame of the first studio, architectural production drawn by parametric and associative environments, the idea was to develop a project from conception to construction with a team of 20 people from 10 different countries, during a very intensive deadline of 7 weeks. The basis a Dome, the goal, to achieve a parametric model, full of components which could be self supported and fabricated. Including in the design the embbeding of technology as a reaction to the outside world. The studio divided itself into groups dedicated into specific tasks throughout the whol 7 weeks, making tryouts and designing specific parts of the whole dome and presentation:

-Parametric modeling
-Structure Analysis
-Fabrication
-Embedded Technologies
-Video and Documentation
-Curating

At the end we managed to create a presentation of a 1:1 Parametric Self suportted Dome made with white cardboard, with interacting leed illumination, and this is how the process looked:

IaaC 2007-2008 Development Studio in Digital Tectonics
Tutors: Marta Male-Alemany - Victor Viña Assistant: Shane Salisbury
Authors: Rodrigo Langarica Avila - Mariana Paz Castellanos - Agata Kycia - Dorota Kabala - Eric Thorson - Francisca Aroso - Georgia Voudouri - Giorgos Machairas - Higinio Llames - Ismini Koronidi - Jordi Roses - Juergen Weiss - Krzsysztof Gornicki - Luis Odiaga - Marcelo de la Riba - Maria Eftychi - Monika Szawiola - Pete Booth - Verena Vogler

HONEYCOMB DOME

2008-12-08T18:37:00.017+01:00

By using a basic model constructed with one spline with 4 points on the base and two curves linked to a mobile center, I constructed a dome capable of changing its shape by moving the base and the center point; allowing us to modify the basic shape, the total height and the position of the dome’s center.

The main structure is integrated by two domes, the inner dome has an offset from the outer one that it is also adjustable in the base, and can change the thickness of the elements built between these two domes. After drawing isocurves, I created components that integrate hexagons that distribute the loads from the top to the bottom supported by constrains from the upper and the bottom rings.

Here is a short Top Solid video of the dome.

IAAC 2007-2008 Development Studio in Digital Tectonics

Supervisors: Marta Male-Alemany

Author: Mariana Paz Castellanos

REACTIVE ROOF

2008-12-05T17:48:00.012+01:00

By using a Script that integrates a recursion among other several functions we developed a repetition of triangles capable to adapt to many kind of surfaces by creating subdivisions based on a first geometry.

We managed to propagate a series of irregular triangles in a surface but then we managed to show how a regular division could be done, by finding the integrating points of each triangle in a base of rectangle’s division.

By controlling a random normal extrusion line we obtained the extrusion of the rectangulardivision with very different heights.

By duplicating the function used in the rectangles extrusion, the triangles followed a normal line individual for each one of them with random heights; but going one step behind, instead of extruding the triangle's division, we created a scaled offset of the main triangles and then lofted the two geometries, creating the effect that we were looking for from the beginning.

The roof at the end did accomplish the effect we expected with the lights and shadows, and adapted to the roof of the Institute, with no limits to develop itin any given surface. You can control some parameters within the script, such as the limit of the random height of each pyramid and limit the smallest size you for the base triangles.

IAAC 2007-2008 Scripting
Supervisors: Carlos Barrera, Luis Fraguada
Author: Mariana Paz Castellanos, Rodrigo Langarica

PARAMETRIC PIPE

2008-12-04T14:47:00.022+01:00

We explored the possibilities that emerge from parametric and associativity integrating tools that are linked to a different design mentality where changes can be made at any moment and perceived in real time propagating the changes through all other associated files.

The main idea was to use the color code R G B for the lighter and the darkest color eye of each one of us, in this way I would have a unique combination for everyone and at the same time I could generate a matrix with 6 independent sets of data for everyone. Along with this, we used some other measurements as the lip’s size creating a matrix which gave us a particular set of data for each one.

After much consideration, we chose to explore other ideas for our parametric design project. We have studied some interesting objects related to lip and eye measurements and decided to develop “pipes” for our final customised element.The final model was simplified after many versions to a simple tube with some circles defining the profile of the element and a central spline structuring the spine of the element. Along with the customized versions for each one of us the most challenging aspect of the model was to establish the correct relationships between the spline and the perpendicular curvature of the circles.

Along with the final model constructed as a tube, a second layer was developed to generate the mesh defining the envelope of the pipes that will serve as a box. Individual components were designed as a base module.

Here is a video showing how the model works in Top Solid:

3d printing: A rapid prototyping model in powder with bonding agent was used to create three models. Once of these models features a texturized surface based on the component mesh generated through parametric design. Electronic files were transferred from Topsolid to Rhino and then saved as a stereography for 3D printing.

Laser cutting: A study model was developed to explore the design of a texturized box that would host the pipe. Files were extracted from Topsolid and unfolded as a flat surface.

IAAC 2007-2008 Parametric Design I
Supervisors: Marta M. Alemany
Authors: Maite Bravo, Mariana Paz Castellanos, Jordi Roses
http://www.iaacblog.com/parametricdesign1/

PARAMETRIC HOUSE

2008-12-04T00:49:00.021+01:00

The basis of the studio was to investigate the impact of digital technologies in architecture, focused in the implementation of parametric design tools and digital fabrication equipment. We took as a basis the "Casa Tolo" by Portuguese architect Alvaro Leite Siza, because we were very interested in a house that coul adapt itself to any given topography as a basis.

Our idea was to develop an associative model capable of adapting itself to the changes of the site, by doing this we created prototype which can be used as many times as needed either for a housing development as mass customization, or in a single house project. By taking control of its main components which will adapt parametrically once the volume is inserted in the topography, the project changes every time the site does. Once the presets are ready, the changes on the house can be made as well, since we can control dimensions, intersections, shapes and program.

- The project had different control parameters, the first set was in a global scale, directly related to site and volumes and the possibility to modify the topography and control the height of each element to remain connected in spite the changes on the site.

- The option to control the position of each block with a certain restraints (always connected to each other) within the site. So you could go uphill, downhill or to either side.

- You could change numerically the width of every element of the house, walls, slabs and ground slab.

- The opening for windows on either side of the element, working with the intersection between each box. The intersection between each box can also be changed numerically, by height or by the width of the staircase.

- The automatic creation of the stairs needed to connect each element respecting the inclination and size of real regulations, this automatically gave the dimensions needed for each element to work with this staircase whether it goes up or down.(boxes length)

Here you can see a video of how the actual model works in Missler's Top Solid:

We created a series of models which represented some of the basic ways the project could work. At the same time, we incorporated a program for each of this chosen configurations, and we ended up making a second set of parameters for one of this possibilites.

The second set of parameters worked in a different scale. The idea was to go further into the possibilites of parametric software in the detailing and actual construction of the house.

- First we projected the topography lines directly to the outer surface of each box, in order to use them as a base for marking the surface, thinking of them as precast concrete elements. - These precast elements can be further developed in another software such as Rhino, in order to subdivide the surface and create a CAM file which could be used for molds of each element. Giving us the chance to subdivide the elements using the same carvings so you would not see the joints.
- On the other hand we were able to control the subdivisions for the profiles of the windows, the size of this profiles, and the number of elements in which to divide the facade.
We went a little further also with the staircase, and you could control the size of each step, the width of the staircase, the with of each step, depending on material needs, and even the railings height, and with according also to the material wished to apply.

Here you can see a video of how this parameters work in Missler's Top Solid:

We created some models in the 3d rapid prototyping printer to show in scal how both the mold and the actual corner piece would work. And we developed the Rhinocam files of the mold considering the use of a 3 axis CNC-Milling Machine with foam.

IAAC 2007-2008 Research Studio in Digital Tectonics
Supervisors: Marta Male, Jose Pedro Sousa
Author: Mariana Paz Castellanos, Rodrigo Langarica
http://www.iaacblog.com/digitaltectonics/

INTERNET 0

2008-12-02T20:04:00.003+01:00

The idea of the seminar is to look at the relationship between the web and everyday elements, opening the idea of embedded programed technologies into everyday articles, and specifically to architecture, the next step would be to integrate this to the web, to have a complete network of things working all together from a remote location, or from direct interaction, and this could eventually become linked through the web. There is an interesting article in this matter written by Neil Gershenfeld, Raffi Krikorian and Danny Cohenof the bits and atoms department in MIT.

We all developed a single device which could have touch, sound,light or movement inputs resulting in the same outputs, created a circuit for this, and then we programmed a script to control the circuit, each of us had the possibility of creating an installation where several devices with our own script could interact, or we could explore interaction between devices with different scripts running at the same time.

IAAC 2007-2008 Internet 0
Supervisors: Victor Viña
Author: Mariana Paz Castellanos

3D PRINTING

2008-12-02T18:28:00.013+01:00

The challenge was create a pattern that could be wrapping the surface but that remained connected in every way, provoking a complex surface and not only a simple cube with a pattern drawn on its surface. After accomplish that I decided to actually create an inner cube that it could increase the complexity but at the same that related the space with the surface. Then the connector it was the element that it would hold everything together but at the same time would not interfere with the free inner space.

IAAC 2007-2008 Digital Fabrication

Supervisors: Marta Male-Alemany

Author: Mariana Paz Castellanos

CNC MILLING

2008-12-02T17:53:00.014+01:00

We tried to create a surface that could give you the sensation of movement throughout a very simple pattern that would work in a three-dimensional way. By simplifying the work and using only one tool we managed to create a surface that has these characteristics but also can give you the sensation of a very complex geometry. We draw a curved pattern and then it was projected to the surface. The parallel finishing it was done only for having a smooth surface on the bottom after the engraving.
IAAC 2007-2008 Digital Fabrication
Supervisors: Marta Male-Alemany
Authors: Rodrigo Langarica, Mariana Paz Castellanos

LASER CUT

2008-12-02T17:04:00.016+01:00

This was a very interesting work, first of all, it was a great introduction to digtal fabrication, and actually to using rhino as a design tool.

IAAC 2007-2008 Digital Fabrication

Supervisors: Marta Male-Alemany

Authors: Rodrigo Langarica, Mariana Paz Castellanos

MAPPING LAS RAMBLAS

2008-12-02T16:49:00.014+01:00

Our map focuses on opportunities for future development of cultural shopping. Cultural hotspots have been identified within the old-city, providing an underlying base for existing cultural activity. Three and six minute walking radii have been calculated from each of these hotsposts, with MACBA receiving an additional nine minute radius as it offers an emerging cultural precinct.

Areas of greater colour intensity offer a better prospect of developing new cultural shopping environments. Metro stations are shaded blue and when overlapping with cultural hotsposts, offer possible magnification of success.

IAAC 2007-2008 Mapping I
Supervisors: Ferran Grau
Authors: Pete Booth, Higinio Llames, Mariana Paz Castellanos

HOW TO DESIGN A TREE?

2008-12-02T14:04:00.023+01:00

This project was based on the idea of studying a tree from the Ciutadella park in Barcelona in all its levels. From there we delivered a project based on the specific characteristics of the tree, the Quercus Ilex. The result was a resting space which would eventually serve as a water collector to be placed in the areas of the park which where not prepared to collect water. The whole project was a reflexion on the traits of our tree.

At first we created a 3D model of the tree with real dimensions, then we studied the path of the bark and inverted it creating a network system that configures the surface. This pattern gave us the direction of the model, since the overall shape follows one of the real sections of the tree the pattern configures the walkable and joints surface.

IAAC 2007-2008 Final Research Studio I

Supervisors: Vincente Guallart, Willy Müller, Marta M. Alemany

Authors: Rodrigo Langarica, Mariana Paz Castellanos

MONTECASINO 3

2008-12-02T13:25:00.011+01:00

The building consists of 10 apartments where small and large apartments throughout it with 2 two-leveled penthouses. Right in the corner the building comes to an end with the help of terraces which open views and enhance the close angle of the piece of land. On the other hand the back façade is more closed because it is home to the private and service areas of the apartments. The main access to the building is marked by a concrete slab which extends from the limits of the building to the sidewalk, making it possible to preserve the building as a loose volume.

Vertical connections become aligned with the buildings main access, within the middle of each floor, making way to each apartment to have full access either from the elevator or the stairway, having a panoramic view to the outside. Every apartment has very high ceilings, which in addition to the openness of the façade provoke a feeling of expansion of the inner space beyond the physical limits of the building.

The north and east façade are more open, and composed by vertical concrete elements placed without a specific order. In the middle of these elements a green surface is created by a group of cables which allow climbing vines to grow from metallic bases located in some of the stories of the building. The south and west facades are more closed, creating an almost chaotic window-wall giving strength to its verticality.

HIGUERA + SANCHEZ 2004 -2007 Works

MONTECASINO 3, Col.Molino del Rey, Mexico City

Arq. Javier Sánchez Corral

Project Director/Architectural On-site Supervision: Mariana Paz Castellanos

Collaborators: Diana Elizalde, Juan Manuel Soler

Pictures: Mariana Paz, Jair Navarrete

VILLA HOLBOX

2008-12-02T12:44:00.014+01:00

The island Holbox is located in the Yucatan Peninsula. Situated within a few meters from a National Park the project is a Self – Sufficient villa for 10 people. The project integrates a water treatment plant, wind power generators and solar panels. At the same time all the covered area from the cells it is used to collect water rain.

The materials try to create a minor ecological impact on the island. From the main structure of the arbor to the palapa’s structure are completely developed with bamboo – guada and covered with palm’s trees leaves. The orientation from each cell is directly related to the wind incidence creating spaces with natural crossed ventilations and protecting it from the hurricane season.

The Project is articulated by an arbor that is covering all the circulations creating a system that is protected from the sun incidence but at the same time remains opened to the exterior. The terraces are nothing more than the top of the arbor which increases the inner space from each cell. The project is suspended from the natural terrain 1mt, which helps to protect it from flooding during the rainy season. The founding also functions as a rain water storage which provides enough water during the whole year. This project will be culminated by the end of 2009.

HIGUERA + SANCHEZ 2004 -2007 Works
VILLA HOLBOX, Holbox, Yucatan

Arq. Javier Sánchez Corral

Project Director: Mariana Paz Castellanos
Collaborators: Diana Elizalde, Juan Manuel Soler
Renders: Mariana Paz Castellanos

External advisors: Raul de Villafranca, Arturo Romero

Villa Holbox-Reforma Entremuros Dic 2007

VERACRUZ 60

2008-12-02T01:20:00.013+01:00

The Condesa and the Roma neighborhoods form an area that has been regenerated in this past years due to new buildings and remodeling activities. This is precisely the area in which this project is located. The front facade works with the use of mobile panels that serve as a protection for the windows, creating a dynamic plane made out of openings and walls, while the back of the building is much more static and has less openings offers privacy to the rooms of each apartment.

The building houses 5 apartments with inverted schemes, allowing a two-story high space in all the public areas. An elevator stands in the middle of the building, that with the incorporation of the stairs form the vertical circulations. This configuration makes a difference in the condition of each space without sacrificing any of the apartments keeping the building within the limits of the height allowed in the area.
HIGUERA + SANCHEZ 2004 -2007 Works
VERACRUZ 60, Col. Roma Norte, Mexico City
Arq. Javier Sánchez Corral

Project Director/Model: Mariana Paz Castellanos
Collaborators: Juan Manuel Soler
Renders: Alejandro Ita

DANTE 7

2008-12-02T00:22:00.027+01:00

Located in the Colonia Anzures, in Mexico City, this project takes advantage of the lot’s rectangulargeometry, placing 2 volumes divided by an internal patio which opens in an irregular way from one side to the other.The two buildings are connected through a bridge that contains the vertical circulations. The complex consists of 17 apartments in a mixture of duplexes and triplexes which combine terraces and inner patios. The project takes advantage of the lot’s geometry creating a cut in the front building enclosed by a black concrete wall which combines its structural properties with the composition of the facade.

Interior facades relate by the combination of solids and openings which respond to the interiors. The closed figure in the facade covers two apartments which find ventilation and light through an enclosed terrace that divides the space between the building and the concrete wall. Each and every window emphasizes onprivacy avoiding the same positioning throughout the facade, even in the cases where this seems inevitable, where windows find a screen made from various materials, like louvers, or white glass, which allow natural light avoiding crossed views.

HIGUERA + SANCHEZ 2004 -2007 Works

DANTE 7, Col. Anzures, Mexico City

Arq. Javier Sánchez Corral

Project Director: Mariana Paz Castellanos

Collaborators: Diana Elizalde, Ana Luna, Enrique Salazar, Daniela Sainz, Juan M Soler

Renders: Alejandro Ita

SPORTS CENTER SMR

2008-12-01T19:41:00.038+01:00

Inside Mexico City, right in the limit between Santa Maria la Rivera and Atlampa, we proposed a Sports Center to act as a trigger to rebuild an industrial area such as Atlampa and as urban equipment for SMR(Santa Maria la Rivera). The Sports Center consists of three main volumes where various sport activities occur, an underground parking space, and a commercial area in its ground floor. The open plan works as a transitional space between the two neighborhoods.The building develops in such a way that one of the main volumes houses all the courts the second houses multi-purpose spaces for different activities, and the last contains all the services and vertical circulations.

A system of ramps connects the building in its vertical axis, adding richness to the southern facade,creating a circuit of continuous circulation that stops in each level. These ramps are hung by a series of self-supporting frameworks. This facade is covered by a tran lucid colored glass which gives a graphic character to the building, making it recognizable as a vital complex to the area.

The east façade of the building is composed by a concrete wall with irregular shapes which works both as a climbing wall for both sides and as a firm structure the entire building lengthwise. The facades use a system of multi-perforated panels with serigraphy, which help to filter light and to regulate the interior temperature. This serigraphy composes the façades, giving a graphic image to the building which purpose is to make an impact on the area. The façade is made up of a system that allows it to work independent to the main structure making it light, allowing the building to become transparent.

ITESM 1999-2004 School Works SPORTS CENTER SMR Santa Maria la Rivera - Atlampa – Mexico City Final course project Germán Báez - Mariana Paz - Roberto Ortega

ARTS AND CRAFTS SCHOOL-SITE MUSEUM TLATELOLCO

2008-12-01T19:05:00.032+01:00

This project represents a proposal for regaining value in this particular area of the city through an Arts and Crafts School and a Site Museum. The access runs throughout the archeological site, enhancing a line that crosses to the Plaza de las Tres Culturas. The school is conceived as a three story building with workshops and studios in the ground level, where these spaces converge into a multiple purpose plaza in the back side of the building. The Site Museum stands over the plaza with a figure that opens slowly towards the outside.

The facade works a second skin, made of a metallic multi perforated surface that allows light in, while it adds texture to the forms and helps the building to merge with its environment. This double facade system allows natural lightning and ventilation to the school as well as the museum, without a major impact to the forms.

ITESM 1999-2004 School Works ARTS AND CRAFTS SCHOOL – SITE MUSEUM TLATELOLCO Tlatelolco – Mexico City Architectural Workshop VI Mariana Paz - Roberto Ortega